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Welcome to my website!
Here you will find everything about my work as a singer, performer and creator.
In case you want a quick view on who I am and what I am busy with,
I invite you to listen to an audio diary I made for the Belgian Radio “Klara”.

 
 

[IN]VISIBLE - Benjamin Van Esser & ChampdAction Recorded on December 21st 2016 at Concertgebouw Brugge
- 14:40 Frattempo [1] (text + music: Lieselot De Wilde)
- 29:57 Frattempo [2] (text + music: Lieselot De Wilde)
- 37:32 Every Time I Hear, Every Time I See (impro together with Benjamin Van Esser)

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About Lieselot


About Lieselot


"Lieselot De Wilde is a soprano of unrestrained talent and creativity. She interprets Bernier's music in an exquisite way, never losing the subtleness specific to the French baroque music. Her articulation is refined and her expression very well balanced . Truly a first-class recording." ***** Sylvia Broeckaert, De Keuze van Klara on the record "Trois visage d'Hécate, cantates à voix seule by Nicolas Bernier" with Korneel Bernolet and Ensemble Apotheosis.

"Lieselot De Wilde réussit là où bien d'autres se laissent aller. Le moindre mot est investi, animé, chargé de sens et d'intention [...] Equilibre subtil, netteté du trait et clarté du dessin, mélange d'intimité et d'éloquence: la cantate française déploie ses qualités essentielles, et Bernier retrouve son lustre." Loïc Chahine, 5 diapasons, Diapason

”...images, music, text and performance are of a high level. Lieselot De Wilde gives her heart in a complex role. Her powerful, pure soprano voice vaguely echoes the voice of Barbara Hannigan.” Thea Derks on i c o n, “critic’s choice”, Theaterkrant

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Lieselot graduated magna cum laude at the Lemmens Institute, tutored by Dina Grossberger and Katelijne Van Laethem. Later on she studied with Jard Van Nes. In 2014 she participated in the Academy of Pierre Boulez during the Lucern Festival where she sang the first solo part in Luciano Berioʼs Coro under the baton of Sir Simon Rattle. She obtained a first prize during the Concours Axion Classic of Belfius Bank as well, attended master classes with Alain Buet, Greta De Reyghere, Axel Everaert and Udo Reinemann and was introduced in early music practice by Erik Van Nevel, Dirk Snellings, Jill Feldman and Stratton Bull.

She was one of the three soloist in The Wasp Factory, an opera by the minimalistic and experimental Icelandic composer Ben Frost. This production was commissioned by Kunst Aus der Zeit of the Bregenzer Festspiele and toured afterwards to Hebbel Am Ufer Berlin, Holland Festival and Royal Opera House Covent Garden. She sang in The Fairy Queen by Henry Purcell with Muziektheater Transparant, one of the daughters in Akhnaten by Philip Glass at Opera Vlaanderen under the baton of Titus Engel and she has sung Second Woman and First Witch (Dido and Aeneas) and Daphne and Aréthuse (Actéon) with Les Talens Lyriques under the baton of Christophe Rousset. She appeared as a soloist in the Lassus Project Canticum Canticorum under the baton of Leonardo Garcia Alarcon with Chœur de chambre de Namur and participates in projects with Catalina Vicens and her Servir Antico.

Lieselot appeared in several successful productions of LOD, a Ghent-based company for creation of contemporary opera and music-theatre. She sang the role of Hannah in the production Muur (Dominique Pauwels, Inne Goris), Meneer Afzal (Thomas Smetryns, Pieter De Buysser), she sang the role of Arthur Rimbaud in LʼAutre Hiver (Dominique Pauwels, Denis Marleau), and House of forbidden music, the revenche (Dick van der Harst). These productions toured to Kunstenfestivaldesarts, Operadays Rotterdam, Festival TransAmériques Montréal, Gulbenkian Musica Lisboa, De Singel Antwerp, Opera Flanders, Printemps des comédiens Montpellier, Festival Avignon,...

Together with jazz guitarist and oud player Peter Verhelst she forms the ensemble Bel Ayre with which she creates her own songs and searches for new interpretations and realizations of the song repertoire, including and combining techniques, instrumental colors and virtuosity from both classical and jazz/traditional music.


Upcoming
In spring and summer 2019 Lieselot will tour with two LOD creations, composed by Frederik Neyrinck: Zolang hij niet zichzelve kent... in which she sings the role of Echo alongside Josse De Pauw, Spectra Ensemble and Koenraad Tinel and i c o n, staged by Atelier Bildraum, in which she will sing the role of Icon alongside Asko/Schönberg Ensemble and actor Tibo Vandenborre. There will also be recitals with pianist Gabi Sultana, with Dick van der Harst, with Korneel Bernolet and his Apotheosis (Céphise in Pigmalion - Rameau), with Zefiro Torna and Utima Thule (B.I.G.) and with Sofie Vanden Eynde (Rosalba). Bel Ayre will perform its ‘A Canzone ‘e Partenope at Klara in De Singel and at the Royal Palace. They will also release their second album Entre-temps.

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Recordings


Recordings


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Nicolas Bernier - Trois visages d'Hécate : Cantates Françaises ou musique de chambre à voix seule
with: Apotheosis Ensemble Korneel Bernolet
label: Et'Cetera Records
release: November 2017


'A Canzone 'e Partenope - Canzoni Popolari Napoletane
with: Bel Ayre
label: Independent
release: March 2017

Roland de Lassus - Canticum Canticorum
with: Chœur de Chambre de Namur, Leonardo Garcia Alarcon
label: Ricercar
release: September 2016

Ben Frost - The Wasp Factory
with: Ben Frost, Mariam Wallentin, Jördis Richter, Lieselot De Wilde, Reykjavik Sinfonia
music "Death no less": Ben Frost & Lieselot De Wilde
label: Bedroom Community
release: December 2016